Julia (Tilda Swinton) ist 40, Alkoholikerin und eine furiose Lügnerin. Zwischen Wodka-Exzessen und One-Night-Stands versucht sie vergeblich. Julia (Tilda Swinton) hat sich für den Alkohol entschieden. Das spürt man schon bei den ersten, turbulenten Szenen in der Kneipe, die mit. Julia ein Film von Erick Zonca mit Tilda Swinton, Saul Rubinek. Inhaltsangabe: Julia (Tilda Swinton) ist 40 Jahre alt, eine heftige Alkoholikerin und für die.
Julia (2008)Julia (Tilda Swinton) ist 40, Alkoholikerin und eine furiose Lügnerin. Zwischen Wodka-Exzessen und One-Night-Stands versucht sie vergeblich. Fazit Ein etwas überspannter Film mit einer herausragend überspannten Hauptdarstellerin. Moviemans Kommentar zur DVD: Das Bild bietet sehr hübsche Farben. In dem Drama Julia von Camille Natta erlebt Tilda Swinton den Verfall einer Alkoholikerin.
Julia Film Movies / TV Videoජූලියා - Juliya - Hit Sinhala Action Film - Nadeesha Hemamali - Charith Abeysinghe
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Herself Sheila O'Malley. Film Credits. Cast Tilda Swinton as Julia Aidan Gould as Tom Saul Rubinek as Mitch Kate del Castillo as Elena Bruno Bichir as Diego Directed by Erick Zonca Written by Aude Py Zonca.
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The following plot summary separates the plot based on character. Meryl Streep as Julia Child Amy Adams as Julie Powell Stanley Tucci as Paul Child , Julia's husband Chris Messina as Eric Powell, Julie's husband  Linda Emond as Simone Beck "Simca" , with whom Julia wrote Mastering the Art of French Cooking Helen Carey as Louisette Bertholle , co-author of Mastering the Art of French Cooking Jane Lynch as Dorothy Dean Cousins, Julia's sister  Mary Lynn Rajskub as Sarah, Julie's friend.
Foster, Julie's mother Erin Dilly as Judith Jones , Julia's editor and friend. Box Office Mojo. July 30, Retrieved Archived from the original on Rotten Tomatoes.
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Retrieved January 12, New York Film Critics. Meryl Streep as Julia Child is one of the most endearing, arresting performances ever.
That the real Julia Child and her groupies irritate me no end in no way interfered with my appreciation of Streep's amazing characterization. Streep's chemistry with Stanley Tucci as Paul Child, Julia's husband, is breathtaking.
No attempt is made to make Streep or Tucci conventionally attractive. No attempt is made to make them look young and dewy — they weren't — Julia married Paul when she was in her thirties and he was ten years older.
Julia is tall; Paul is short; Julia is loud; Paul is bald, quiet and retiring. It is implied that they can't have children. They don't share conventionally romantic movie moments; they don't "meet cute," there's no candlelight, no slow dances, no full frontal nudity, no vulgar language with one hilarious exception involving cannelloni.
All Paul and Julia do is share the drudgery and rewards of working life: hers as a cook, his as a state department official. The key to Streep and Tucci's chemistry is that they portray two characters who love each other.
Watching a loving, married couple in a marriage that works is one of the great, and sadly rare, pleasures of this film.
Steep and Tucci are every bit as charismatic a couple as Tracy and Hepburn. Jane Lynch is also brilliant in a small role as Julia's sister.
The Julia segments take place in post-war Paris, and the Paris of this film, one of elegant cafes, haute couture and vintage cars, is someplace we all wished we lived except for the ever-present cigarette smoke.
No matter how you feel about cooking, the film gets you to care about Julia's slowly being drawn into her destiny as one of the legendary chefs of all time.
You also care about, and respect, Paul, his career and its ups and downs in the McCarthy era, and his support of his wife.
The Julie Powell portion of the movie is the weaker portion. I really like the film's structure of switching back and forth between contemporary Queens and post-war Paris, contrasting a career woman's attempt to cook all of Julia Child's recipes with Julia Child herself, before she became famous.
I just think that the film fails its own structure by simply not making the Julie Powell portion as interesting as the Julia Child portion.
Some have complained that Queens is depicted as being too dismal, and Paris too elegant. It's more than that, though.
I think Ephron, a brilliant filmmaker, drops the ball with Julie Powell because she never engages the tough questions about Powell's experiment.
Was Powell just someone eager for fame in the Warhol era of "Everyone is famous for fifteen minutes"? Was Powell parasitizing Child's fame? Was Powell a bad wife to her husband as she obsessed on completing her self assigned task?
Have blogs killed quality writing? June 14, Rating: 3. View All Critic Reviews Jul 10, Excellent performances buoy this seat-of-your-pants day-in-the-life of an lying, manipulative, alcoholic never was almost at the end of the line and fully aware of it.
The story, though, like a drunk at the end of the night, does some mindless veering around Kevin M. W Super Reviewer. Feb 02, Pretty damn good movie that's most definitely carried by Tilda Swinton's excellent performance.
The writing for the character is good and there is good progression, but the movie is made by Tilda, who pulls off a one-woman show. The movie could've been better and shorter, but I can't complain much.
Jesse O Super Reviewer. Jan 28, As almost everyone that has seen this film would say, the most notable thing about it is the remarkable performance from Tilda Swinton.
She completely inhibits her character, it was a genuinely chilling depiction of an seemingly amoral alcoholic.
It was so good, in fact, that it reminded me almost of Charlize Theron's performance in Monster, which Ebert rightfully called "one of the greatest performances in the history of the cinema," Swinton seems to have the same versatility and depth the Theron has.
The film also has merit in that its very effective as a thriller in addition to a character study.
Though the plot is far-fetched, its filmed and acted in such a manner that it has a sense of realism, and is always engaging with its relentless pace.
What keeps it from being a truly great film, however, are some notable plot holes one major character simply disappears with no explanation and an unsatisfactory ending.
Jeffrey M Super Reviewer. Jan 17, This film is put out by Magnolia Home Ent. Julia does everything wrong. After winding up in Mexico, the child she kidnaps is kidnap by Mexicans mean while 2 million dollars is on the way to the airport.
In the end what does Julia end up with, if I tell you that it wouldn't be worth watching. A good one to see at home by yourself cause 7 out of 10 people would not enjoy it.
Bruce B Super Reviewer. See all Audience reviews. There are no approved quotes yet for this movie. Best Horror Movies. Worst Superhero Movies.
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